Thursday, February 16, 2006

sHAKESPEAREmINT gUM


Her thing between Her
(Feb 16/06)
Her cunt is like a boilerroom, all soppy and porous, like melbas and rye thins, or smooth and honed like a fish belly or a lime peal left out to curl in the hot August sun. Or is it a mud ovum, a kiln where sharp objects are prodded and jimmied, no soft roe or steelheads, but precocity of things, things and not things, things with no names or purpose, labial things, melbas and toeholds with neither purpose rime nor meter. That thing--these things--between her—her—legs, in between her legs and thighs and pubic pong. Ah the ubiquitous pong bone, the harbinger of clear sailing, red reddest sunsets and japanned fish bellies left out too long in the broiling august sun. Curled up like sleeping fetuses with cleft palates and jujube-round finger nubs. And I ladle the pip of my tongue, a long sorptive flay, and melange the inner inside of her majolica maracas.
My grandpapa was a boiler man, a stationary boiler man, a brown—maybe gray--fedora hatted boiler man, man. He wore a hat, the fedora hat, on the crown of his head, his balding boiler man’s head, head. Unlike her cunt, my grandpapa’s boilerroom was neither soppy nor porous, but noisy and clangy and full of steam and loud whistles and other selfsame likeminded boiler men. Men, some with fedoras—brown or gray—and some without—neither gray nor brown, but opaque, or rather no hatted, neither coloured, felted fabric, neither couture or haberdashery. Her cunt, as would have it, is neither a hat, a fedora hat, nor a steam whistle or a loud noisy clanging. Neither nor of these. Boiler men are now called stationary engineers, not boiler man or boiler men, neither of neither these nor the other of these or them. No selfsame or likeminded, nor selfsameminded or likeselfsameminded. Suffice it to say I will neither sop her boilerroom nor my grandpapa’s fedora hat, hat. Neither the one nor the other, nor the selfsame or likeminded. Neither either or nor.

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"Poetry is the short-circuiting of meaning between words, the impetuous regeneration of primordial myth". Bruno Schulz
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