Saturday, August 12, 2006

hAT rEDUX

The shamble leg man awoke from a deep sleep; his eyes caulked with puss, and shook his leg free from the bed linen. He slept the sleep of the dead, the somnambulistic and dropsied. His palsy forced him to drink grain alcohols and spirits, cans of Listerine sprigged open at the bottom, the liquid culled into a plastic bottle, then mixed with Ginger Ale or Cola. He drank to stave off the trembling and quell the jimmying in his leg; tilting his head, he swigged back the churn in one forced gulp, an amniotic warmth gathering in his throat, spilling into the top of his stomach, then into the ulcers that ate away at the lining like rats.

A blue-gray morning sky, the world is trembling, a geomorphic shiver running down the line of my back, and as much as I try, I cannot fall back to sleep. Sleep will come when it’s ready, not a moment before. Some say that sleep is the thief of wakefulness; I say it is the penitence we pay for consciousness, the difference between alacrity and numbness, the reason for bed sheets and feathered pillows. The man in the hat thought things without reason or rhyme, a discordant faille, a cacophonous leitmotif, a monologue with two voices. He would, if he could, have no thoughts at all, and roughshod through life numb and unresponsive. He remembered hearing about how men with Van Dykes and pointy heads would drink themselves to perdition on absinthe distilled in wormwood casks, and that when opium was cooked too long, the alchemy produced a gummy slag that burned like sulfa
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"Poetry is the short-circuiting of meaning between words, the impetuous regeneration of primordial myth". Bruno Schulz
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