The Henotheist Smith

The priest told the same lies over and over again, his altar skirt mulching up his hairless white legs. Afternoons when the church was emptied of sinners, a few stragglers hiding under the ciborium licking the pot clean, the priest salted his white hairless legs with chalk dust, hoping to bring a fine sheen to his once youthful gams. Hidden under the altar box, wrapped in sackcloth, was a copy of Ibsen’s 'When We Dead Awaken', the Henotheist Smith stealing into the sanctuary after vespers to read by candlelight. The Poitou-Charentes-Poitou children’s choir sing evensong, the youngest castrato devastating to pieces the chandelier over the Baptismal. ‘Never underestimate the stupidity of children’ his da said, his head pressed between his hands like soft cheese. The children’s choir wear burgundy robes and gray stockings stitched from unprocessed wool, corduroy overcoats and tare sandals. The youngest chorales’, a slight boy named Oporto, possessed such a piercing castrato the other boys called him Voz Alta, he with the high voice. Mr. Artsybashev, the leader of the Poitou-Charentes-Poitou children’s choir, though never married, was known to keep company with Greta Felisberto, the pianist for the girls’ chorus, a plump angry woman with oniony breath.